Untitled Document
StrangeTango.com is a multilayered art installation in cyberspace…the documentation of a life in three iterations: as a film treatment, a book, a blog.
“What remains as documentation of a life?”
Strange Tango haunts the boundaries of digital streams and visceral storytelling, where pixels and dreams flow together.
Video, reportage, and nonlinear narrative meld in captured moments from the life of A. D. Tejada, artist - traveler - citizen of the world.
Life is a strange tango...
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StrangeTango.com celebrates a milestone first birthday.
15 years was the timeframe between my first interactive multimedia class and the launch of StrangeTango.com: Life as Art. In the 1990’s, the Boston University College of Communication was one of the first colleges in the nation to teach a course in new media technologies. I was one [...]
My currency is creativity, ideas, and innovation. For me as a writer/artist, the process of writing a book is the process of creating a work of art. Given the upheaval in the publishing industry and the cross-platform promotion of content—in a world that is becoming increasingly impermanent—I can foresee a time when the concept of [...]
Words have always been my métier, and my production includes literary fiction, memoirs, essays, musings, editorials, an art-house film, a documentary, television features, and television news packages. One of my greatest achievements is the personal website, StrangeTango.com: Life as Art—the first literary and conceptual art installation in cyberspace—wrapped around the concept: “What remains as documentation [...]
Roland Kelts
Roland Kelts was one of my first Facebook friends when I finally landed on the social media grid. “Stellar website!” he emailed me, by way of introduction. Although he was writing from Japan and I from America’s heartland, I quickly discovered that we share two enduring passions: a love of Japanese [...]
The salon at our operatic home in Windham, New Hampshire, an exurb of Boston.
StrangeTango.com’s literary/artistic aesthetic is at the nexus of art, modern culture, and politics. As a global platform for emerging voices, innovation, and creativity, guest columnists write about what they’re passionate about—that celebrates and commemorates their life, voice, or purpose.
An organic [...]
StrangeTango.com: Life as Art is the personal website/blog of A. D. Tejada, a Filipino American feminist and first generation immigrant in America’s heartland who is Ivy League-educated, has lived in 7 major American cities, and has traveled through 35 countries on 5 continents.
At the nexus of art, culture, and politics, StrangeTango.com presents an innovative vision [...]
Traditionally, I am incommunicado during the month of December. This is my time for rituals of reflection and spiritual rejuvenation. The last week of the year aligns Christmas, birthdays, and New Year’s: the sequence punctuates the finality and passing of time, which inspires me to make my surroundings comfortable and cocoon myself from the exterior [...]
Erin Yoshimura and Gil Asakawa
Gil Asakawa and I first met at a multimedia presentation during the Asian American Journalists Association (AAJA) convention in Boston this past summer. As a former AAJA/New England National Board member and National Scholarship Chair, the launch of the personal website StrangeTango.com: Life as Art in my former hometown of [...]
Me, at the time I began writing Strange Tango.
The destinies of a pantheon of gifted Cornell graduates unfold through the internet.
After my niece had graduated from pre-kindergarten several years back, she started summer classes at vacation bible school where she saw Luke, a former classmate who had left the class to be home-schooled in [...]
Moulton Brown's New Age Traveler kit
New Age Traveler is an excerpt from Millennium Muse, my book of narrative nonfiction, essays, and observations.
My favorite travel agent booked me for automatic electronic upgrades to first class, so on two round trip legs between Manchester, New Hampshire, and Chicago, air travel was sheer bliss. On the second [...]
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